Synonyms containing get onboard
We've found 4,578 synonyms:
get, v.t. to obtain: to seize: to procure or cause to be: to beget offspring: to learn: to persuade: (B.) to betake, to carry.—v.i. to arrive or put one's self in any place, state, or condition: to become:—pr.p. get′ting; pa.t. got; pa.p. got, (obs.) got′ten.—ns. Get′ter, one who gets or obtains: one who begets; Get′ting, a gaining: anything gained: procreation; Get′-up, equipment: general appearance.—Get ahead, along, to make progress, advance; Get at, to reach, attain; Get off, to escape; Get on, to proceed, advance; Get out, to produce: to go away; Get over, to surmount; Get round, to circumvent: to persuade, talk over; Get through, to finish; Get up, to arise, to ascend: to arrange, prepare. [A.S. gitan, to get.]
— Chambers 20th Century Dictionary
to arrive at, or bring one's self into, a state, condition, or position; to come to be; to become; -- with a following adjective or past participle belonging to the subject of the verb; as, to get sober; to get awake; to get beaten; to get elected
— Webster Dictionary
An aircraft is a machine that is able to fly by gaining support from the air, or, in general, the atmosphere of a planet. It counters the force of gravity by using either static lift or by using the dynamic lift of an airfoil, or in a few cases the downward thrust from jet engines. The human activity that surrounds aircraft is called aviation. Crewed aircraft are flown by an onboard pilot, but unmanned aerial vehicles may be remotely controlled or self-controlled by onboard computers. Aircraft may be classified by different criteria, such as lift type, propulsion, usage and others.
The Marylander was a Baltimore and Ohio Railroad afternoon passenger train between New York City and Washington, D.C., operated by the B&O in partnership with the Reading Railroad and the Central Railroad of New Jersey between Jersey City, New Jersey, and Philadelphia, Pennsylvania. Other intermediate cities served were Wilmington, Delaware, and Baltimore, Maryland. The Marylander's origin can be traced back to the late 1890s, when the B&O began its famed Royal Blue Line service between New York and Washington. Operating as #524 northbound and #525 southbound, the trains were called the New York Express and the Washington Express, respectively, in the 1910s and 1920s. The Marylander and its predecessors offered a high level of passenger amenities, such as parlor cars with private drawing rooms, full dining car service, deluxe lounge cars, and onboard radio and telephone service. The Marylander made history in 1948 when it was the first moving train to offer onboard television reception. It was one of B&O's faster trains on the route, maintaining a four-hour schedule until its discontinuation in October 1956 due to declining patronage.
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— Editors Contribution
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— Editors Contribution
to procure; to obtain; to gain possession of; to acquire; to earn; to obtain as a price or reward; to come by; to win, by almost any means; as, to get favor by kindness; to get wealth by industry and economy; to get land by purchase, etc
— Webster Dictionary
Get Carter is a 1971 British crime film directed by Mike Hodges and starring Michael Caine, Ian Hendry, Britt Ekland, John Osborne and Bryan Mosley. The screenplay was adapted by Hodges from Ted Lewis's 1970 novel Jack's Return Home. Producer Michael Klinger optioned the book and made a deal for the ailing Metro-Goldwyn-Mayer (MGM) studio to finance and release the film, bringing in Hodges and Caine. Caine became a co-producer of the film. Get Carter was Hodges's first feature film as director, as well as being the screen debut of Alun Armstrong. MGM was reducing its European operations and the film became the last project approved before it closed its Borehamwood studios. The film is set in north-east England and was filmed in and around Newcastle upon Tyne, Gateshead and County Durham. The story follows a London gangster, the eponymous Jack Carter (Caine), who travels back to his home town to discover more about his brother Frank's supposedly accidental death. Suspecting foul play, he investigates and interrogates, regaining a feel for the city and its hardened-criminal element; with vengeance on his mind, the situation builds to a violent conclusion.Caine and Hodges had ambitions to produce a more gritty and realistic portrayal of violence and criminal behaviour than had previously been seen in a British film. Caine incorporated his knowledge of real criminal acquaintances into his characterisation of Carter. Hodges and cinematographer Wolfgang Suschitzky drew heavily on their backgrounds in documentary film. Combined with Hodges' research into the contemporary criminal underworld of Newcastle (in particular the one-armed bandit murder) and the use of hundreds of local bystanders as extras, produced a naturalistic feel in many scenes. The shoot was incident-free and progressed speedily, despite a one-day strike by the Association of Cinematograph, Television and Allied Technicians. The production went from novel to finished film in eight months, with location shooting lasting 40 days. Get Carter suffered in its promotion, firstly from MGM's problems and secondly owing to the declining British film industry of the period, which relied increasingly on US investment. Initial UK critical reaction to the film was mixed, with British reviewers grudgingly appreciative of the film's technical excellence but dismayed by the complex plot, violence and amorality, in particular Carter's apparent lack of remorse at his actions. Despite this the film did good business in the UK and produced a respectable profit. US critics were generally more enthusiastic and praised the film but it was poorly promoted in the US by United Artists and languished on the drive in circuit while MGM focused its resources on producing a blaxploitation version of the same novel, Hit Man. On its release Get Carter received no awards and did not seem likely to be well remembered. It was not available on home media until 1993 but always maintained a cult following. Endorsements from a new generation of directors such as Quentin Tarantino and Guy Ritchie led to a critical reappraisal which saw it recognized as one of the best British movies. In 1999, Get Carter was ranked 16th on the BFI Top 100 British films of the 20th century; five years later, a survey of British film critics in Total Film magazine chose it as the greatest British film. Get Carter was remade in 2000 by Warner Bros. under the same title, with Sylvester Stallone starring as Jack Carter, with Caine in a supporting role. This remake was not well received by critics in the US and was not given a UK theatrical release.
|Get a life|
Get a life
"Get a life" is an an originally American idiom and catch phrase usually intended as a taunt, to indicate that the person being so addressed is devoting an inordinate amount of time to trivial or hopeless matters. The phrase has also appeared as a generally more emphatic variant of the taunt "get a job" and implies the addressee needs to go out and make their way in the world, without being supported by outside sources such as parents or benefactors. It may also be directed at someone who is perceived as boring or single-minded; suggesting they acquire some other, more practical interests or hobbies and get dates, find a job, or move into their own home. Similar terms include "get a job", "has no life", "get a car, house, girl, etc.". It is also applied to so-called workaholics and others who are perceived as dedicated to their work but not taking the time to relax or enjoy life. Sometimes the phrase is used to describe people who are viewed as officious or meddling in the affairs of others. It is another way of saying "get your own life", or "mind your own business".
|Get It Up|
Get It Up
"Get It Up" is a song by The Time, from their 1981 debut album, and is their debut single. Like most of the album, the song was recorded in Prince's home studio in April 1981, and was produced, arranged, composed and performed by Prince with Morris Day later adding his lead vocals. Revolution keyboardist Doctor Fink provided synth solos on the track, uncredited. The funk-pop number relies on synthesizers and contains numerous solos throughout the song. The song's propelled by a strong bass line and contains live drums and handclaps. A raunchy guitar solo provides a rock element to the funky track. "Get It Up" is basically an ode to sex and Day's attempts to get some. Prince's vocals are very apparent in the song, both in the background and the lead at times. "Get It Up" was only released as a 7" single with the poppy "After Hi School" as its B-side. "After Hi School", while not an outstanding effort was composed by Dez Dickerson and is perhaps the strongest pop effort on the album. The full version of "Get It Up" was later a B-side for the 12" single of "Ice Cream Castles" in 1984. "Get It Up" is one of The Time's more popular numbers, and a live version of the song recorded at the House of Blues in 1998 was included on Morris Day's 2004 album, It's About Time where it segues into "777-9311".
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— Editors Contribution
A cigarette break from work or military duty, often used onboard ship.
A senior rating in ships responsible for all the woodwork onboard; in the days of sail, a warrant officer responsible for the hull, masts, spars and boats of a ship, and whose responsibility was to sound the well to see if the ship was making water.
A rubber-soled lace-up canvas shoe for sports or onboard ships; a precursor of trainers.
On the land as opposed to onboard